George Eliot

Mary Ann Evans, known by her pen name George Eliot, was a prominent English novelist, poet, journalist, and translator, and one of the most important figures in Victorian literature. Born on November 22, 1819, Evans became famous for her novels, which are still highly regarded for their realism, psychological depth, and keen social observations. Some of her most famous works include Adam Bede (1859), Middlemarch (1871-1872), and Daniel Deronda (1876), which are renowned for their portrayal of human nature and social issues. Beyond her literary accomplishments, Eliot’s unconventional personal life and relationship with the philosopher George Henry Lewes also made her a subject of public interest and scandal during her time.

An 1860 portrait of George Eliot.

Early Life and Education

Mary Ann Evans was born in Nuneaton, Warwickshire, in 1819 to Robert Evans, the manager of the Arbury Hall estate, and Christiana Pearson. She had a challenging early life marked by family struggles, including the death of her mother when she was just 16 years old. Evans was a highly intelligent child and a voracious reader, traits that would shape her later career as a writer. Although her physical appearance was considered unremarkable, her intellectual abilities were exceptional, and her father supported her education, which was rare for women of her time. She attended several schools, where she was exposed to a variety of religious and philosophical ideas.

After her mother’s death, Evans returned home to care for her father. She was introduced to the ideas of radical thinkers, including Charles Bray and the philosopher Ludwig Feuerbach, through her association with the Bray family. These intellectual connections played a significant role in shaping her views on religion, society, and morality, which would later inform her writing.

Move to Coventry and Literary Beginnings

In 1836, Evans and her father moved to Coventry, where she came into contact with a more liberal and intellectual society. She became close friends with the Brays, who introduced her to the works of German philosophers and thinkers. During this period, Evans began to question her religious beliefs and embraced more agnostic and rationalist views. Her translation of David Strauss’s The Life of Jesus (1846), which challenged traditional Christian beliefs about the miracles in the New Testament, garnered attention and controversy.

Evans’s growing interest in literature and philosophy led her to write for the Coventry Herald and Observer, where she began to express her own opinions on social issues and the role of women in society. In 1850, she moved to London, where she worked as an editor for the radical journal The Westminster Review. Through her association with the journal, she became involved in the intellectual and political debates of the time, contributing essays that critiqued organized religion and social conventions.

Relationship with George Henry Lewes

In 1851, Evans met George Henry Lewes, a philosopher, critic, and writer. Despite being married to another woman, Lewes and Evans formed a close partnership, and in 1854, they decided to live together. At the time, their relationship was scandalous, as they openly defied the social norms of Victorian England. Although Lewes was still married, his relationship with Evans was seen by both as a true partnership. The couple spent years together in a close, intellectual, and emotional bond, and Evans came to refer to Lewes as her “husband.”

Their relationship, which lasted until Lewes’s death in 1878, was a source of both public intrigue and disapproval. However, it also provided Evans with the emotional support and stability necessary to pursue her writing career. Lewes was a significant influence on her intellectual development and helped her navigate the challenges she faced as a woman writer in a male-dominated literary world.

Portrait of George Henry Lewes.

The Adoption of the Pen Name George Eliot

In the early stages of her literary career, Evans decided to adopt the pen name “George Eliot.” She was motivated by a desire to separate her fiction from her work as a translator and critic and to escape the stereotypes associated with women writers of the time, who were often expected to write light-hearted romances. By adopting a male pen name, Evans sought to be taken seriously as a writer and to ensure that her work would be judged on its literary merits rather than her gender. The choice of “George” was inspired by Lewes’s first name, while “Eliot” was a simple, strong-sounding name that she felt suited her literary persona.

Her first major work under the name George Eliot was Scenes of Clerical Life (1857), which included the stories The Sad Fortunes of the Reverend Amos Barton, Mr. Gilfil’s Love Story, and Janet’s Repentance. The stories were well received, and Eliot’s true identity remained a mystery to many readers. Her debut novel Adam Bede (1859) was an immediate success, and Eliot’s reputation as a serious novelist was solidified. The novel is notable for its realistic portrayal of rural life and its exploration of moral dilemmas, themes that would become central to her later works.

Career as a Novelist

Following the success of Adam Bede, Eliot continued to write novels that explored the complexities of human nature, social structures, and the moral challenges of Victorian society. Her next novel, The Mill on the Floss (1860), is a semi-autobiographical work that deals with themes of family, love, and the limitations imposed on women in a restrictive society. The novel’s protagonist, Maggie Tulliver, struggles with her desire for intellectual and emotional freedom, making it one of Eliot’s most poignant examinations of the inner conflict between personal desires and societal expectations.

In 1861, Eliot published Silas Marner, a novella about a reclusive weaver who finds redemption through his love for an orphaned child. The novel’s themes of social alienation, love, and transformation resonated with readers and further cemented Eliot’s place as one of the foremost novelists of her time.

Eliot’s next major work, Romola (1863), was a historical novel set in Renaissance Florence and based on the life of the priest Girolamo Savonarola. While Romola received critical praise, it did not achieve the same level of popularity as her previous works. In Felix Holt, the Radical (1866), Eliot tackled the political and social issues of the time, focusing on the consequences of radical political movements and the clash between idealism and practicality.

However, it was Middlemarch (1871–1872), often considered Eliot’s masterpiece, that truly solidified her literary legacy. The novel is set in a small English town and explores the lives of its inhabitants in the context of political and social change. The characters in Middlemarch are complex and multifaceted, and the novel offers a deep psychological analysis of their motivations, desires, and struggles. It was hailed by critics such as Virginia Woolf as one of the greatest novels in the English language.

Eliot’s final novel, Daniel Deronda (1876), dealt with issues of Jewish identity and the conflict between individual desires and societal expectations. The novel was ambitious in its scope, incorporating themes of personal responsibility, cultural heritage, and social reform.

The title page to “Felix Holt, the Radical”

Marriage to John Cross and Death

After Lewes’s death in 1878, Eliot was deeply affected, but she found solace in the companionship of John Walter Cross, a younger man who had been a long-time friend and financial adviser. In 1880, Eliot married Cross, though their union was met with some controversy due to the age difference between them. Soon after their marriage, Eliot became ill with a throat infection and was further weakened by her long-standing kidney disease. She died on December 22, 1880, at the age of 61.

Eliot was buried in Highgate Cemetery, alongside George Henry Lewes, in an area reserved for political and religious dissenters. A memorial stone was later erected for her in Westminster Abbey’s Poets’ Corner, where her contributions to literature were commemorated.

Legacy and Literary Significance

George Eliot’s works continue to be studied and celebrated for their deep psychological insight, moral complexity, and social commentary. She remains one of the most influential novelists in English literature, and her novels are still widely read and adapted for stage and screen. Critics have praised her ability to depict the struggles of individuals against the backdrop of a changing society, and her works are often considered masterpieces of the realist tradition.

Eliot’s legacy also extends beyond her novels. Her thoughtful essays, translations, and contributions to periodicals helped shape intellectual discourse during the Victorian era. She tackled controversial topics such as religion, politics, and gender, and her works are often seen as precursors to modern social and feminist thought.

Frequently Asked Questions

What were the major influences on George Eliot’s early life?

George Eliot was greatly influenced by her intellectual upbringing, particularly through her education and exposure to religious and philosophical ideas. Her father’s position allowed her access to a library, which fostered her self-education. Additionally, her association with the Brays in Coventry introduced her to radical, agnostic theologies and philosophers like Ludwig Feuerbach and David Strauss.

This portrait of Eliot was created in 1850.

Why did George Eliot adopt a male pen name?

Eliot adopted the pen name “George Eliot” to distance her fiction from her existing work as a translator and editor, and to avoid the stereotypes associated with female writers of the time, who were often expected to write trivial works. The name allowed her to be taken seriously as a novelist and to separate her personal life from her writing.

How did George Eliot’s relationship with George Henry Lewes impact her life and career?

Eliot’s partnership with George Henry Lewes, though scandalous at the time due to his marital status, provided her with emotional and intellectual support. Lewes’s encouragement helped her navigate the challenges of being a woman writer, and their relationship influenced much of her work and her ability to write freely without societal constraint.

What is considered George Eliot’s greatest work?

Her novel Middlemarch (1871–1872) is widely regarded as her masterpiece. It explores the lives of a small English town’s inhabitants amid political and social change, showcasing Eliot’s deep psychological insight and sophisticated character development. Critics like Virginia Woolf hailed it as one of the greatest English novels.

Title page to “Middlemarch”

How did Eliot’s views on religion influence her writing?

Eliot’s agnostic views, shaped by her early religious doubts and philosophical readings, influenced much of her work. She explored moral and religious questions through characters struggling with faith, as seen in Romola and Silas Marner, where religious belief and its social consequences are central themes.

What were the themes of Eliot’s novels?

Eliot’s works often focus on themes such as social class, moral dilemmas, psychological insight, and the conflicts between personal desires and societal expectations. Her novels depict individuals navigating the complexities of relationships, social structures, and the moral questions of their time.

Why was George Eliot’s marriage to John Cross controversial?

Eliot’s marriage to John Cross in 1880 was controversial due to their 21-year age difference. This union came shortly after the death of her long-time partner, George Henry Lewes, and caused a stir due to the unconventional nature of Eliot’s relationships and her public defiance of Victorian norms.

How has George Eliot’s work been received in modern times?

George Eliot’s works remain highly influential and are still widely read and studied. Critics praise her for her psychological depth, social commentary, and exploration of moral and gender issues. Middlemarch in particular continues to be regarded as one of the greatest novels in the English language.

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